Anurag Kashyap is the director who can give Indian Cinema the reach
it deserves at the world stage. His style of direction is exceptional,
his quest for detailing his characters and his unconventional choice of
music is what makes him the standout director of Bollywood. All thanks
to Dev D the movie which made him an overnight star.
As Dev, the rich father’s wayward son, reaches his hometown after
completing his studies in London we see how over the years he has been
in touch with his childhood sweetheart Paro. How he calls her often and
also both of them use Instant Messaging too.
Paro, the ‘Gaon ki chori’ isn’t actually behind in her lifestyle.
She’s a free spirited woman who also falls in love with Dev just as much
as Dev himself is with her. But the various situations (call it
‘misinterpretations) causes Paro to marry a rich gentleman from Delhi.
Dev, completely drowned in Paro’s love, watches her getting married.
He finds solace in alcohol. His favourite Vodka mixed with coke starts
becoming a habit. As Paro moves to Delhi, Dev also follows her there.
Being son of a rich politician, Dev goes on a spree of self destruction
portrayed to perfection by Abhay Deol.
At this tym we are introduced to Chanda, role essayed by Kalki. Her
story is different. She being a teenage girl gets trapped when her MMS
goes viral on the internet and how her own family starts disowning her.
She goes through a lot but then decides to become a sex worker. Indeed a
brutal and spine chilling portrayal.
Dev, surrounded by cigarettes and Vodka, meets Chuni, the guy who
gives work to Chanda. Chuni is shown as a selfish guy and he analyzes
Dev as a rich dad’s son who can be used for some easy money. He brings
Dev to his place where Dev meets Chanda. Their life-stories, then, bring
them closer.
The chaos and confusion in Dev’s head. His trouble in living a life
without Paro, a life without a purpose is successfully supported by Amit
Trivedi’s superb background score. The songs are always on the perfect
time and none make you feel they are unnecessary. Also a note to the
dark surroundings and a perfect use of dim lights and colours to
represent the setting.
Yes the second half is considerably slow but then the director didn’t
compromise on the quality of content. A special mention to Nawazuddin
Siddique, he was hilarious in the song ‘Emotional Attyachar’. I wish
Anurag Kashyap keeps gifting us such memorable classics forever.